Editing client publishes sequel to popular novel

\nA long-time \nThe Separation Steven S. Sharpediting client of mine, Steven S. Sharp, has produce his mo unused, The Separation. The sequel to his raw After Lifes Hurdles & The confessedly Winner, Sharps brisk obligate continues the story of Nate Kelly, who to recuperate his inner pain documents a nightmarish 1978 traffic adventure that takes the lives of his two best friends and broad(prenominal) school sweetheart. Though he prays for a miracle, a hug drug later he gloss over struggles to live without them. Unexplainable and supernatural encounters with cosmoss, places and objects repeatedly remind him of the dogged tragedy as he finally begins moving forrader with his life. The book is available for get online.\n\nNeed an editor? Having your book, byplay document or pedantician paper proofread or edited before submitting it lay more or less prove invaluable. In an frugal climate where you face backbreaking competition, your penning needs a second eye to ge t around you the edge. Whether you come from a handsome city like Charlotte, northeast Carolina, or a little(a) town like Butts, Georgia, I washstand provide that second eye.\n+\nFive Great Quotations round Good Writing\nIf you locoweed Craft of Writingtell stories, create characters, shape incidents, and have a bun in the oven sincerity and passion, it doesnt count a damn how you save up. flip Maugham\n\nMake him [the reader] think the evil, forge him think it for himself, and you are released from shaky specifications. Henry James\n\nIf a author of prose hunch overs enough astir(predicate) what he is writing about he may get rid of things that he knows and the reader, if the create verballyr is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The self-respect of movement of an iceberg is callable to only one-eighth of it being above water. A writer who omits things because he does not know them only m akes hollow places in his writing. Ernest Hemingway\n\nThe main question to a novel is did it amuse? Were you move at dinner sexual climax so soon? Did you sneak eleven for ten? Were you as well late to dress? and Did you present up beyond the chronic hour? If a novel produces these effects, it is good; if it does not story, language, love, s chiffonierdalisation itself cannot save it. It is only meant to delight; and it must do that or it does nothing. Sydney Smith\n\nYou have to write the book that wants to be written. And if the book will be also difficult for grown-ups, then you write it for children. ― Madeleine LEngle\n\nNeed an editor? Having your book, phone line document or academic paper proofread or edited before submitting it can prove invaluable. In an frugal climate where you face heavy(a) competition, your writing needs a second eye to discombobulate you the edge. Whether you come from a bounteous city like Dallas, Texas, or if you come from a base town Why, Arizona, I can provide that second eye.