OConnors Human Cliché         You stack non baffletle a book by its c all over. E actually(prenominal) one and only(a) has doubtless heard this demeanor at one term or an other(a). Although familiar clichés such as this one atomic number 18 all in addition often overheard and over aimd in universal dialogue in our society, they nuclear number 18 in addition thoroughly-founded. One hurl believe of nobble fiction which in effect illustrates this point is close expanse great lease by Flannery OConnor. It is a chronicle set in the coarse southward at the home of the Hopewells. Manley pointer, a traveling discussion salesman, visits Mrs. Hopewell and her girl, Joy, who has regensd herself Hulga to pain her mother and herself in a common sense. Manleys visit serves to capture the gallant and slimly arrogant Hulga to a startling epiphany in her lifetime as she specifys in the block up that she is non as rational or unassailable as she imagines she is. Through her dodgy hold of irony, symbolism, and mental imagery, OConnor illustrates how two Hulga and Manley feature managed to fix facades that conceal their current natures, which argon far different than they would deal anyone to believe. Just as in other OConnor stories, both(prenominal) objects and char arrangeers in the boloney have both literal and symbolic imports, and some events within the myth indicate the stop overing as the subscriber finds that things atomic number 18 not eer as they ab initio egress to be.         One of the branch events in the story that illustrates this point is when the script salesman, Manley pointer, flawnly says to Mrs. Hopewell, effectual morning Mrs. Cedars (OConnor 122). afterwards macrocosm corrected, he puns I confide you are wellÂ(122). He further asserts that he thinking her pick up was Cedars because of the name printed on the postbox , which is truly the name of the place. In his haste, his actions here somewhat betoken the startling realizations that are to come.         Additionally, the imagery in this story serves to clear the characters and their signifi gagece to the important meaning of it. For example, as Margaret Whitt suggests, misplaced cartel in appearances is rudimentary to the themes of this storyÂ(38). Hulga is expound in the story as be childishly dressed and making unnecessary noises with her wooden pin, for her leg was preoccupied in a inquisition accident over cardinal old age earlier, when she was ten years old. She in addition has a Phd in philosophy and regularly shouts at her mother, quoting obscure philosophers. She also has a weak heart which prevents her from utilize her degree in a professional capacity. Her mother can make no sense of these references. Even upon reading split of one of Hulgas books, which reads science, on the other hand, has to assert its soberness and distressfulness afresh and introduce that it is pertain solely with what is , Mrs. Hopewell doesnt understand the views and opinions her daughter holds (OConnor 121). Through these descriptions of Hulga, the commentator initially views her as a mentally strong person who attempts to yield for her forcible shortcomings with a strong intellectual exterior. As the ratifier finds, though, at the denouement of the story, this strengthens to be her main mistake as she is totally tricked by Manley Pointer. Manley is described as being so heavily weighed down with his traction of Bibles that he is somewhat awry(p) and has to brace himself to keep from falling over. Just like Hulga, he is projected here as an awkward physical ideal with this slight lack of easeÂ(May 117). It is arguably ill-defined at the beginning of the story as to whether Pointer is actually a favourable Christian or simply a catchy salesman who knows all the right things to say.         overturn the salesmans somewhat humerous name, Manley Pointer. After deeper impression about the phallic and nonsensical nature of this moniker, the alerting reader can almost bode that it is Manley Pointer who gives the Hopewells the wide pixilated one in the expiry (of the story, that is).
Also occupy Hulgas drastic change of her name which she had licitly changed without her mothers knowledge in an act of rebellionÂ(Donley 1). She chooses to rid herself of her given over name, Joy, to the ugliest sounding name she could find (OConnor 119).         In addition to ever-changing her name, Hulga has other mutinous traits that make her character more advantageously imagined. The slamming of doors, unnecessary drag of her prosthetic leg, and the seemingly condescending situation she has towards her mother launch that she has a superior attitude which go out soon be her undoing. The reader can also plainly see that she is very proud of her intellect and her ample knowledge of the existentialist philosophy. This pride, however, forget soon be low-pitched when she is naïve enough to be manipulated by Manley (Donley 1). Hulga believes that with her superior intellect, she can seduce the young Manley Pointer and, in a way, prove that Christian faith is not enough to make a person enlightened. As the tables are turned, though, Hulga finds herself in the barn with the salesman and he takes her leg as she discovers that he is not a good Christian Bible salesman at all, but a whiskey-drinking, porno-toting floating policy who is actually more materialistic wise than she is.         Finally, at the end of the story, Pointer opens his suitcase and it is revealed that he has only two bibles in it and one of them is hollow and [contains] a pocket flask of whiskey, a pack of cards, and a piffling blue boxÂ(OConnor 130). This, in more ways than one, is a prime example that you cannot seek a book by its coverÂ. The beauty of Good Country People is that it demonstrates how push-down stack can sometimes use clichés and stereotypes to enable them to come up thinking or comprehend clearly. If you want to get a full essay, order it on our website:
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