For the past a few(prenominal) weeks my group and I have been take a leak by mental act a piece of field of force or so the subject of war. Our maestro piece was about the personal effects of war on a small Yorkshire community. It involved a local woman fall in sexual love with the enemy, a German spy. It illustrated the betrayal surrounded by friends, emotions and how current personal matters can induce decisions. This was influenced by a number of aspects. In exploring a number of wartime props we got a toil some(prenominal) sense of the type of society during wartime. One feature we picked up on was that there was very little to go around, and that the few possessions they had were very precious. For example Maureen, the grammatical case I acted, stayed in the aforesaid(prenominal) smart clothes throughout the foregather, unlike the others who changed at least(prenominal) once. We precept this as her trying to cling onto what she had lost, luxuries and comfort. T o try and deliver the goods an cognizance of character, we looked at a play called Killed by capital of Serbia and Montenegro T.I.E. The types of characters in the play were quite an stereotypical. The character I played, Elsie, was quite a badly, stubborn woman, total of opinions and carried a sad and direful history. This was mirror by May, a young woman, deeply in love and with her whole life ahead of her.
We used some of the ideas in the play when devising our own piece of theater. We site our play in Yorkshire, like Killed and I molded my character Maureen on Elsie, taking on quite a hard front, a sad history and a strong Yorkshire accent. A rationalize line between love and h ate was distinct from Killed because ours w! as more light-hearted, it didnt have as many flashbacks and tended to be condition around the local shop. If you want to get a full essay, clubhouse it on our website:
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