Analysis of Vertovs Film In the clown players 1991 film The Drug video, the art of cinema verite is interpret to heights of realism not absorbn since Roberto Rosselinnis triumphant Rome, straight-from-the-shoulder City. By combining realistic settings, lighting, sound, etc. with keenly observant photographic camera placement, the filmakers draw us into a presentation very few of us ever actually key out outside the comforts of a theater. Dziga Vetov, in his essays on the record of man as seen through the Kino-Eye, touched upon something that the makers of The Drug news program picture are obviously very aware of.
That is, the camera, more so than anything human, will see to the core of its tar ride. beyond the actors, beyond the sets and particular effects, is the soul of the film. If the emotion is pure and the situations genuine, than the camera is but a window to the truth. The Clown Players have crafted a finely nuanced example of this cinematic ingenuousness with The Drug Movie. The films opening is take aback an...If you want to get a full essay, order it on our website:
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