William Sahkespeare's Othello

As he declares at the end of the play when he is talking about his animateness prior to killing himself "Then must you speak/Of single that loved not wisely but too salubrious;/Of one not easily jealous but, being wrought,/ discombobulate in the extreme;?/threw a pearl away" (Shakespeare V.ii.345-350). This is alpha because Othello's inexperience and vulnerability in love makes him more fertilise to Iago's use of Desdemona's hankie to make him believe his beloved has cuckolded him.

This is similarly significant because Othello's lack of confidence when it comes to love and his perception that he is viewed as an outsider coupled with Iago's treachery are bountiful to make him take the sight of Desdemona's handkerchief as the " eyepiece" consequence he has been demanding even though he cannot stay to look at it. Of course, Desdemona has not given her handkerchief to Cassio as Iago would have Othello believe. Cassio's wife finds it and she is coerced into giving it to her husband. He, in turn, uses it to continue his plan to make Othello believe there is roughthing going on betwixt Cassio and Desdemona. Imagery is all it takes through the use of language for Iago to perish Othello into a feverish state. He feels like a fool, he thinks his name has been robbed, and by the t

Whereas Othello has internalized some of the negative associations made of his being because he is a Moor, Iago has accredited that if there is no justice for him in society therefore he will gladly and wholly accept his point as deviant. He is more than willing to accept the criticism of others for what he truly is because he has accepted this as his piece and it does not make him feel vulnerable or boorish like Othello's outsider status does to him.

Iago is no fool and plays on this when he tells Othello of the dream Cassio had during which he spoke in his sleep. virtuoso of the things he did was use the word Moor in a derogatory manner "'Cursed fate that gave thee to the Moor!" (Shakespeare III.iii.427).

When Othello sees Cassio give the handkerchief to Bianca it puts him over the edge. He asks Iago how he should murder Cassio and he declares he will cut Desdemona into pieces "I will chop her into messes-cuckold me!" (Shakespeare IV.i.199). Othello goes run into to confront Desdemona believing he has more than enough proof at this point to know she has been unfaithful to him. Because of Iago's language and fabrication with the handkerchief, he calls Desdemona a strumpet and a sporting lady and though she is shocked and has little idea what he is talking about, he berates her as an evil whipped up in Hell "I cry you mercy then:/I took you for that cunning whore of Venice/That married with Othello/You, mistress/That have the office opposite to nonesuch Peter,/And keep the gate of Hell!" (Shakespeare IV.ii.79).

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